dawn of midi played the whole of their current release dysnomia. they are in format a jazz trio, drums/double bass/piano, but for dysnomia these instruments are used to produce something resembling electronic dance music crossed with classical minimalism. it requires astonishing physical and mental control to play such precise and repetitive music for so long - the moments of transition between tracks, where the tight structures loosen before locking into new shapes, seemed like breathers inserted to relieve the musicians. most of us would go mad if we had to play one note on a piano, over and over again in exact time for ten minutes, with the other hand inside the piano damping the string to remove the decay from the note. given the increasing ability of acoustic, analogue performers to reproduce the aesthetic of digital, sampled music one wonders how long before a live version of 'tomorrow never knows' - the ur-example of music that 'cannot be reproduced live'.
frahm had a new toy - a wooden pipe organ in three parts, church-sized, square pipes like a flat-pack. he made the audience laugh with cuckoo-clock music on the high notes, developing into a fairground-organ sound. later he physically shook the venue with the lowest notes of the organ. he played the inside strings of the grand piano with toilet brushes. in spite and because of all this, the music was very beautiful. it escaped genre - was it chill-out electronica, was it classical, was it film score music, was it a very sophisticated easy listening? much of the most interesting music now seems to be in this area of collapsed boundaries between classical and pop genres, and yet the results escape the soft-classical or prog-rock kitsch that happened last time. i suspect that minimalism and edm provide a tougher backbone.
frahm's technical ability on the piano was truly stunning, pounding through long difficult passages with sweat dripping from his face, sometimes with one hand playing the piano and the other hand playing the organ. standing ovations resulted, never mind that half of us were standing anyway. the ovations were genuine, unlike the artificial process one usually suffers. thoughts of liszt arise. it was a wonderful - concert, rather than gig.
the next day, facebook came up trumps for the first time by advertising the erased tapes stall at a record fair near elephant and castle. i rushed across town to grab some cds - it seemed the most efficient thing to do. i was tempted by the limited edition of dysnomia on clear vinyl, but on reflection it seemed perverse to split that work over four sides.
postscript: the CD packaging is really nice - card inner and outer sleeves with booklet, like a miniature LP. this is so much nicer than the plastic cases or even the folding card cases with a plastic holder, that i wonder if the superiority of the 12" LP cover isn't only about size. there is something about the tactile quality of the card sleeve and its sliding action. see also beatles mono set, station to station box set etc. funny how it took us until CDs were obsolete to figure that out.